
RobRob Stereo Amp
By Rob Robinette
Have comments or corrections? Email rob at: robinette at
comcast dot net
This version of my Stereo Amp can be used with guitar or
stereo audio. It has one more gain stage than the
audio only amp below in the next section
so it can amplify electric guitar as well as phone or mp3/flac audio.
I wanted to build myself a nice, simple little five watts per
channel stereo tube amp that would be good at playing stereo music from an mp3/flac
player but could also be used for stereo guitar. I decided to go with 6V6 single-ended for
simplicity. We end up with a very simple tube amp based on the 1950's Fender 5F1
Champ guitar amp with two 12AX7s, two 6V6GTs, upgraded transformers and an added
choke to minimize hum and power line noise. If you don't need the capability to use
this amp with guitar then I recommend you skip down to the next section to the
even simpler RobRob Stereo Audio Amp
(line level and mp3/flac player only). An easy way to use this amp for stereo guitar is
to use a stereo FX pedal and run its stereo outs to this amp's two inputs.
King Fan RobRob Audio Amp

Amplifier build and photo by King Fan.
I am a firm believer in tube amp nonlinear and harmonic
distortion. It's what makes our tube amps sound so rich and warm, so I decided
not to fight THD (total harmonic distortion), but to embrace it. Many audio amps use
constant current sources, ultralinear power amps and various other techniques to
minimize distortion but I don't want that crap--give me tube simplicity and its sweet warmth of even
order harmonics. This is a very simple and very warm sounding amplifier. This
little amp will absolutely kick ass in a blind listening tests against much,
much more expensive, and complicated tube amps.

It's basically a dual channel Fender 5F1 Champ with a
single power supply. The large 30 Henry choke filters the entire power supply
including the power tube plates (B+1) for minimum hum. A humdinger and elevated
heater voltage reference also helps minimize 60Hz heater hum. Click the image to see the high
resolution schematic. Download the
pdf,
download the
DIYLC file.
The
layout diagram is for a
Hammond
1444-10825 aluminum chassis at 10" x 8" x 2.5" and is an easy fit.
Rear View

Amp and photo by King Fan.
Transformers are all from Hammond:
290ABX power transformer 290V @ 100ma, 6.3v @ 5A (supports 120 & 240v primary)
$89. A transformer with a 270 or 280v secondary would also work in this amp.
Optional $28
AnTek
AS-05T280 toroidal power transformer 280v 90ma (50VA), 6.3v @ 4
amps. It has a 120v and 240v primary and also has a 180v tap in case you want to
lower the amp voltages. Another bonus is it only weighs 2 lbs. Size is 3.75" in
diameter and 1.6" tall. You can mount the transformer on the top of the chassis
and purchase a
105x45mm round transformer cover or leave it exposed.


125CSE output transformers 5K:8 ohm 8 watt $50 (2 each). A nice option if you can wait the 4 to 8 week build time is
the Edcore GSXE10-5K output
transformer 5K:8 ohm 10 watt $38. The 5 watt Hammond 125BSE or 10 watt 125DSE
can also be used. The 5 watt rated 125BSE will compress at high volume levels
and the 10 watt 125DSE will yield maximum volume and fidelity.
194E choke 30H 100ma 517 ohm DC resistance $33. Note the choke's 517 ohms of DC resistance was
used to drop voltage. If you use a different choke you may need to add a voltage
dropping resistor to get the B+1 voltage down to 360 volts or lower.
3-Lug and
6-Lug terminal strips are from
tubesandmore.com. The 3-Lug strips have a grounded center terminal because
it is used to bolt the strip to the chassis. The 6-Lug strips have the second lug grounded (second lug marked with ground symbol in the layout below).
The speaker outputs can be setup with speaker binding posts as shown below in
the layout or you can use standard guitar amp Switchcraft 12A jacks.
I like to use these style dual speaker binding posts:

RobRob Stereo Amplifier

This layout is for a 10" x 8" x 2.5"
Hammond
1444-10825 aluminum chassis. View of the amp from the underside of the chassis so left and right are
reversed. It's such a simple amp that point-to-point wiring made sense. The three transformers and choke are mounted on top of the chassis so the
interior of the chassis will not look quite as chaotic as the layout above. The long terminal strips
in the middle are two 6 lug terminal strips joined together. The hum balance pot is
mounted inside the chassis and is not accessible from outside the chassis (you
don't want people turning that knob willie -nillie). The long NFB runs from the
positive speaker posts to V1 and V2 need to use shielded cable such as RG174. Ground
the cable shield at only the V1 end to prevent a ground loop. Note how the power tubes, V3 and V4 have their
heaters wired out of phase. This will make any heater hum from the two stereo
speakers out of phase and the hum will tend to cancel. Click the image to see the high resolution
layout. Download the
pdf, download
the DIYLC file.
For the build sequence I recommend you start by drilling the chassis for the IEC
socket, power switch, volume pots, input jacks, speaker binding posts, bridge
rectifier bolt, chassis ground bolt, chassis safety ground bolt, transformer mounts and pass-through holes and tube mount holes.
Install the tag strips, tube sockets, power switch, volume pot, hum balance pot and bolt down the
bridge rectifier directly to the chassis for cooling.
Mount the transformers and choke, add grommets to the transformer and choke pass
through holes and feed their wires through to the chassis interior.
Wire the 6.3v heater wires next including the hum balance pot and pilot light. I
like to use 22 gauge wire for the heaters because it is easy to work with and
has plenty of current carrying capacity.
Twist the heater wires and keep them down against the chassis to minimize 60Hz
heater hum. Then install the filter caps, other components and wire the rest of
the amp.
If you would prefer a tube rectifier you can use an EZ81 and follow the
rectifier layout for the
Bassman Micro. The EZ81 uses 6.3v heaters so the 290ABX power transformer's
lack of a 5v secondary is not a problem.
RobRob Audio Amp Chassis

Amp and photo by King Fan.
I recommend following my Amplifier Startup
procedure to safely add power for the first time. Resistor R14 is a bleeder
resistor and it should drain the filter capacitors upon shutdown but you should
always verify the caps are discharged before working inside the chassis.
If you have problems see my Tube
Amp Troubleshooting webpage.
RobRob Stereo Audio Amy by King Fan

Amp build and photo by King Fan.
Since this amp uses negative feedback (NFB) there is a 50-50 chance you will
get a very loud positive feedback squeal when you first power up the amp. If
this happens simply shut down the amp, verify the filter caps have zero voltage
(they should since resistor R14 will bleed the caps) and swap the output
transformer blue and brown primary wires.
To adjust the humdinger hum balance pot you turn the amp up to full volume with nothing
plugged in, then adjust the pot for minimum hum. If you don't hear a difference
then leave the pot in the middle of its travel.
Use a
1/8" (3.5mm) Stereo TRS plug to dual 1/4" mono (guitar) plug adapter to play
your phone or mp3/flac player through this amp.

If you would like to use this amp with a pair of headphones you can simply
connect two 10 ohm, 10 watt resistors across each pair of speaker out
terminals (+ to -). This will show the amp an approximate 8 ohm load when
paralleled with the headphone load which can be anything from 8 to 600+ ohms.
Then connect a
headphone out adapter to the speaker terminals. I have done this with
several tube amps and you would be surprised how good it sounds.
Bill of Materials

You will also need a 10" x 8" chassis.
Signal Path

Signal enters at the left input jack at the bottom, flows through the R2 grid
stop resistor to the V1B grid, then out the plate through the C2 coupling cap to
the volume pot then to the V1A grid. The signal leaves V1A through its plate and
C3 coupling cap to the R7 power tube grid stop resistor. The signal comes out
the V3 plate through the output transformer primary then out the secondary to
the speaker binding posts.
This even simpler version of the amp is designed exclusively
with line level (phone or mp3/flac players) in mind, so I only
needed one triode gain stage per channel to drive the 6V6 power tubes. We end up
with a very simple stereo tube amp with one 12AX7 and two 6V6GTs. Note: To play
vinyl records, an RIAA preamp will be needed between the turntable and amp.
This
simple little circuit is based on the 1950's Fender 5F1 Champ but with one gain
stage deleted, upgraded
transformers, and an added choke to minimize hum and power line noise. I also added a
blackface style negative feedback loop so I could use a fully bypassed cathode
on the V1 driver stage to maximize gain. The 100/1.8k ohm NFB voltage divider
will give us slightly less NFB than a blackface Deluxe Reverb.

Simple two channel stereo audio amplifier with a common, well filtered power
supply. The large 30 Henry choke filters the entire power supply including the
power tube plates (B+1). Click on the above image to see the full resolution
schematic,
download the pdf layout and
DIYLC file.
The
Hammond
1444-10825 aluminum chassis at 10" x 8" x 2.5" is an easy fit.
Three amp 1000v rated
bridge rectifier from Mouser. You can also build the rectifier using two tag
strips and four 1N4007 diodes.

Simple to build 1000 peak volt bridge rectifier using two tag strips and four
1N4007 diodes.
Transformers are all from Hammond:
290ABX power transformer 300V @ 100ma, 6.3v @ 5A (supports 120 & 240v primary)
$89. A transformer with a 270 or 280v secondary would also work in this amp.
Optional $28
AnTek
AS-05T280 toroidal power transformer 280v 90ma (50VA), 6.3v @ 4
amps. It has a 120v and 240v primary. Another bonus is it only weighs 2 lbs.
Size is 3.75" in diameter and 1.6" tall. You can mount the transformer on the
top of the chassis and purchase a
105x45mm round transformer cover or leave it exposed.

Detailed AnTek Wiring

125CSE output transformer 5K:8 ohm 8 watt $50 (2 each). A nice option if you can wait the 4 to 8 week build time is
the Edcore GSXE10-5K output
transformer 5K:8 ohm 10 watt $38. The 5 watt Hammond 125BSE or 10 watt 125DSE
can also be used. The 5 watt rated 125BSE will compress at high volume levels
and the 10 watt 125DSE will yield maximum volume and fidelity.
194E choke 30H 100ma 517 ohm DC resistance $33. Note the choke's 517 ohms of DC resistance was
used to drop voltage. If you use a different choke you may need to add a voltage
dropping resistor to get the B+1 voltage down to 360 volts or lower.
6-Lug terminal strips are from
tubesandmore.com. The second lug is grounded because it is used to bolt the
strip to the chassis (second lug marked with ground symbol in the layout below).
RobRob Audio Amp In the Wild

Small box on the right is a tube phono amp. Amp and photo by King Fan.
For the build sequence I recommend you start by drilling the chassis for the IEC
socket, power switch, volume pot, input jack, speaker binding posts, bridge
rectifier bolt, transformer mount and pass-through holes and tube mount holes.
Install the tag strips, tube sockets, power switch, volume pot and bolt down the
bridge rectifier directly to the chassis for cooling.
Mount the transformers and choke, add grommets to the transformer and choke pass
through holes and feed their wires through to the chassis interior.
Wire the 6.3v heater wires next including the hum balance pot and pilot light.
Twist the heater wires and keep them down against the chassis to minimize 60Hz
heater hum. Then install the filter caps, other components and wire the rest of
the amp.
If you would prefer a tube rectifier you can use an EZ81 and follow the
rectifier layout for the
Bassman Micro. The EZ81 uses 6.3v heaters so the 290ABX power transformer's
lack of a 5v secondary is not a problem.
I recommend following my Amplifier Startup
procedure to safely add power for the first time.
If you have problems see my Tube
Amp Troubleshooting webpage.
Since this amp uses negative feedback (NFB) there is a 50-50 chance you will
get a very loud positive feedback squeal when you first power up this amp.
If this happens simply shut down the amp, verify the filter caps have zero
voltage (they should since resistor R11 will bleed the caps) and swap the output
transformer blue and brown primary wires.
To adjust the hum balance pot you turn the amp up to full volume with nothing
plugged in then adjust the pot for minimum hum. If you don't hear a difference
then leave the pot in the middle of its travel.
If you would like to use this amp with a pair of headphones you can simply
connect two 10 ohm, 10 watt resistors across each pair of speaker out
terminals (+ to -). This will show the amp an approximate 8 ohm load when
paralleled with the headphone load which can be anything from 8 to 600+ ohms.
Then connect a
headphone out adapter to the speaker terminals. I have done this with
several tube amps and you would be surprised how good it sounds.
If you would prefer to have separate left and right volume controls simply use
two 1MA (audio) volume pots and move the left volume pot to the other side on
the input jack.
RobRob Stereo Audio Amp Layout

This layout is for a 10" x 8" x 2.5"
Hammond
1444-10825 aluminum chassis. View of the amp from the underside of the chassis so left and right are
reversed. It's such a simple amp that point-to-point wiring made sense. The three transformers and choke are mounted on top of the chassis so the
interior of the chassis will not look quite as chaotic as the layout above. The long terminal strips
in the middle are two 6 lug terminal strips joined together. The hum balance pot is
mounted inside the chassis and is not accessible from outside the chassis (you
don't want people turning that knob willie -nillie). The long NFB runs from the
positive speaker posts to V1 need to use shielded cable such as RG174. Ground
the cable shield at only the V1 end to prevent a ground loop. Click on the above
image to see the full resolution layout,
download the pdf
layout and
DIYLC file.
Bill of Materials

You will also need a chassis.
Left Channel Signal Flow


Signal enters at bottom center input jack, flows to the
volume control, then the V1A grid, out the plate through the coupling cap up to
the V2 grid stop resistor and grid, out the plate to the output transformer
primary and then the secondary out to the speaker.

Notice all the tone shaping circuits: RIAA phono
equalization, Stereo Reverse, Loudness (volume), Contour (mid scoop), Rumble (low freq
filter), Stereo/Mono Blend, Bass, Treble and Balance. The turntable RIAA
equalization circuit uses filtered negative feedback. This amp uses no
cathode bypass capacitors to take advantage of the local negative feedback
generated by cathode resistors. Preamp 2 uses grid leak bias--a large value 6.8M
grid leak resistor generates the bias voltage. Global negative feedback from the
output transformer is applied to the V4 (Preamp 4) and V5 (phase inverter)
cathodes. Negative feedback reduces noise and distortion, flattens response, and
increases bandwidth. 24 volts of DC are applied to the power tube cathodes for
bias. The 24v DC bias voltage is also used for DC heat for V1 and V2 (12 volts
each) to minimize preamp heater hum. Click on the schematic to see the high
resolution version.
A300 Signal Path

The green highlight shows the signal path through Channel
B. The path through Channel A is identical. The signal begins at upper far left
at the "Low Phono" input. The inverted signal coming off the cathodyne phase
inverter plate is shown in blue. Click on the schematic to see the high
resolution version.
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